Meghan Markle’s Latest Netflix Flop Mercilessly Dragged by Critics

Meghan Markle’s latest venture, a Netflix series titled With Love, Meghan, has landed with a thud among critics and audiences alike. This eight-episode lifestyle show, produced by Markle and Prince Harry’s Archewell Productions, was meant to showcase the Duchess of Sussex’s culinary and homemaking skills. However, it has instead been widely dismissed as another self-serving attempt at relevancy.

A $100 Million Misstep?

When Markle and Prince Harry signed their lucrative $100 million deal with Netflix in 2020, expectations were high. However, their track record on the platform has been underwhelming. Their 2022 docuseries Harry & Meghan sparked initial interest but was heavily criticized for its one-sided narrative. Harry’s 2024 Polo documentary, intended to bring attention to the sport, failed to gain traction.

Now, With Love, Meghan is being labeled as the most pointless of their productions. The show is set in a rented Montecito home—not their own $14 million mansion—where Markle presents an artificially curated version of domestic bliss. She invites celebrity guests, including actress Mindy Kaling and makeup artist Daniel Martin, for contrived and insipid conversations over home-cooked meals.

Critics Tear Into the Duchess’s Vanity Project

British media outlets have been particularly scathing in their reviews. The Guardian’s Stuart Heritage called the series “pointless” and suggested it should be Markle and Harry’s final attempt at television. He dismissed the show as “joyless” and deemed Markle’s attempts to be a relatable homemaker as “thirsty and uninspired.”

Similarly, The Telegraph’s Anita Singh described the series as “an exercise in narcissism,” criticizing its excessive focus on extravagant brunches, celebrity cameos, and thinly veiled promotions of Markle’s lifestyle brand, “As Ever.”

Meanwhile, The Independent’s Katie Rosseinsky awarded With Love, Meghan a mere one-star rating, describing it as “queasy and exhausting.” Even panelists on the British talk show Loose Women found it insufferable, with Jane Moore admitting she “found my attention drifting” and lamenting the lack of genuine insight into Markle’s real life.

Social Media Backlash

On platforms like X (formerly Twitter), the response has been equally brutal.

• “Bailed after 15 minutes of With Love, Meghan. Empty, vain, fake. Vomit-inducing.”
• “This is a masterclass in wasting Netflix money. It’s not a lifestyle show—it’s a 40-minute infomercial for Meghan’s ego.”
• “Meghan trying to be ‘relatable’ while making decorative ladybird crostinis is just painful to watch.”

The show’s attempt to blend sincerity with luxury lifestyle branding has seemingly backfired. Instead of appearing down-to-earth, Markle’s forced enthusiasm for homemaking and carefully orchestrated personal anecdotes feel out of touch.

Manufactured Moments and Awkward Attempts at Charm

Episodes feature Markle engaging in everyday activities—preparing guest rooms, making sun tea, and baking donuts. However, these moments feel less like authentic glimpses into her life and more like PR-crafted vignettes. For instance, in one scene, Markle stumbles over a chalkboard inscription reading “bready or not… here I crumb,” suggesting multiple takes to get it right.

Even casual conversations feel scripted. When Kaling jokes about pronouncing “Le Creuset,” Markle quips, “I could be wrong!”—a remark that somehow feels both rehearsed and unnatural.

A Veiled Dig at the Royal Family?

The series finale sees Markle giving an emotional toast to her gathered friends and family, including Prince Harry and her mother, Doria Ragland. “This feels like a new chapter,” she says. “I’ve been able to learn from all of you… and I’ve missed this kind of creativity so much.” Many interpret this as yet another subtle jab at the royal family—implying that her time in the monarchy stifled her personal growth.

While Markle’s fans may celebrate her “reinvention,” the broader public remains skeptical. Many see With Love, Meghan as another failed attempt at brand-building, capitalizing on Markle’s royal past while rejecting the institution that made her famous.

The Final Verdict: Another Miss for the Sussexes

Netflix once banked on Markle and Harry’s appeal to drive subscriptions, but their content thus far has failed to justify the hefty price tag. With critics and audiences alike rejecting With Love, Meghan, it raises the question: How much longer will Hollywood continue investing in the couple’s self-indulgent projects?

As the Sussexes’ media empire struggles to maintain credibility, one thing is clear—Meghan’s latest effort to position herself as a lifestyle guru has fallen flat. And if the negative reception is any indication, this might just be her final attempt at television.

Streaming now (if you dare).